THE SHAPE OF WATER

Elisa, a young silent woman, works in a scientific laboratory in Baltimore where the Americans fight the cold war. Employed as a cleaning lady, Elisa is bound by a deep friendship with Zelda, an African-American colleague who fights for her rights in marriage and society, and Giles, a homosexual neighbor, discriminated against at work. Several in a world of reassuring monsters, they discover that an amphibious creature of great intelligence and sensitivity lives in the laboratory (above). To reveal them is Elisa. Condemned to silence and solitude, he falls in love with that mystery capable of living between water and air. But their feeling will soon have to deal with a hostile hierarchy embodied by the despotic Strickland. In full blast to the Russians, the United States does not care about spending and cruelty. To guarantee and guarantee his country a stellar future, Strickland is determined to do everything.




If some of them probe what is played today in the depths of the depths, others draw an ancestral mythology and a new restlessness. Architect of nightmares, Guillermo del Toro enrolled in the second category, renewing the affinities, humid and furious, that human beings entertain with the marine world. Suspended between earthly neurosis (the Cold War and the irreducible fear of the different) and aquatic iridescence, The Shape of Water invents a new continent under our eyes, between sea and earth, averting the drowning with the power of ghosts.

Continuing his relationship with the extraordinary, the author advances in History and produces a subtle articulation, but without metaphorical gravity, between reality and double phantasmagoric that explains his obscure mechanisms. Precipitated in the middle of the Cold War, the story acts on two levels, that of the realist chronicle (the violence of history) and that of the mythological imaginary (the encounter with the extraordinary creature), and observes two movements, those on which it is tenaciously balanced the author's cinema.



 

 

The Shape of Water

Original title: The Shape of Water

Original language: English, Russian, ASL

Country of production: United States of America

Year: 2017

Duration: 123 min

Report: 1.85:1

Genre: Phantastic, sentimental, adventure, dramatic gender

Director: Guillermo del Toro

Subject: Guillermo del Toro

Screenplay: Guillermo del Toro, Vanessa Taylor

Producer: Guillermo del Toro, J. Miles Dale

Executive Producer: Liz Sayre

Home Production: Bull Productions, Fox Searchlight Pictures, TSG Entertainment, Double Dare You Productions

Distribution (Italy): 20th Century Fox

Photography: Dan Laustsen

Editing: Sidney Wolinsky

Music: Alexandre Desplat

Scenography: Paul D. Austerberry

Costumes: Luis Sequeira

Makeup: Kristin Wayne

Interpreters and characters

Sally Hawkins: Elisa Esposito

Michael Shannon: col. Richard Strickland

Richard Jenkins: Giles

Doug Jones: amphibious man

Michael Stuhlbarg: dott. Robert 'Bob' Hoffstetler / Dimitri

Octavia Spencer: Zelda Delilah Fuller

Nick Searcy: gen. Frank Hoyt

David Hewlett: Fleming

Lauren Lee Smith: Elaine Strickland

Morgan Kelly: cake man

Stewart Arnott: Bernard

Nigel Bennett: Mihalkov

Martin Roach: Brewster Fuller

John Kapelos: Arzoumanian

Jayden Greig: Timmy Strickland

Brandon McKnight: Duane

Italian voice actors

Pino Insegno: col. Richard Strickland

Franco Zucca: Giles

Loris Loddi: dott. Robert 'Bob' Hoffstetler / Dimitri

Cinzia De Carolis: Zelda Delilah Fuller

Franco Mannella: Fleming

Eleonora De Angelis: Elaine Strickland

Roberto Gammino: man of the cake

Luca Biagini: Bernard

Roberto Fidecaro: Mihalkov

Simone Mori: Brewster Fuller

Angelo Nicotra: Arzoumanian

Giulio Bartolomei: Timmy Strickland

Fabrizio De Flaviis: Duane


Iscriviti alla nostra Newsletter

Privacy:



Ravenna Nightmare Film Festival | via Canala 43 | 48123 Ravenna (Italy) | Tel. e Fax +39.0544.464812 | Cell. +39.349.5162425 | e-mail info@ravennanightmare.it
grifo.org